Research output per year
Research output per year
Accepting PhD Students
PhD projects
Anthony is interested to hear from potential PhD students with interests that connect to his supervisory expertise, which includes:
Contemporary Cultural Production in Middle East and Global South
Digital Methodologies and Practice-Based Research
Artificial Intelligence and Machine Learning
Computer Vision
Neoliberalism, Globalisation, and Cultural Critique
Human Rights, Bio-politics, and Migration in Contemporary Art Practices
New media, Performativity and Civil Society
Willing to speak to media
Research activity per year
Dr Anthony Downey is Professor of Visual Culture, with a specific focus on the Middle East and Global South (Birmingham City University). Anthony's research and teaching focuses on visual culture and practice-based research, digital methodologies, Artificial Intelligence (AI), computer vision and machine learning, and post-disciplinary models of knowledge production.
In his role as College Lead for Research, Excellence and Innovation, he supports colleagues in the development of their research capacity and outputs (specifically as it relates to AHRC funding application development and REF research outputs for early career and senior career researchers).
In his capacity as BCU lead, he is the Cultural and Commissioning Lead on a four-year £2.2 million Arts Humanities Research Council (AHRC, 2021-2025) funded project, where his research focuses on the expansion of educational and cultural provision for people with disabilities in Lebanon, the occupied Palestinian territories, and Jordan. The latter award was preceded by an AHRC Development Award (2019-2021).
Anthony's teaching focuses on the politics of global contemporary art practices; post- and anti-colonial theory; contemporary research practices and knowledge production in visual culture. Recent and forthcoming publications include Trevor Paglen: Adversarially Evolved Hallucinations (Sternberg Press/MIT Press, 2024); Neocolonial Visions: Algorithmic Violence and Unmanned Aerial Systems (PostScriptUM no. 47, 2023); Khalil Rabah: Falling Forward—Works 1995- 2025 (Sharjah Art Foundation and Hatje Cantz, 2023), and Shona Illingworth: Topologies of Air (Sternberg Press and The Power Plant, 2021). In 2025, he will publish Decolonizing Vision: Artificial Intelligence, Algorithmic Anxieties & the Future of Aerial Warfare (MIT Press, 2025).
Humanities, PhD, Postcolonial Theory and the Politics of Mimesis, Goldsmiths
Award Date: 18 Sept 2006
Humanities, Masters (Dist.), Postcolonial Literature and Theory, Goldsmiths
Award Date: 29 Sept 1997
Arts & Humanities, BA (First Class Honours), Postcolonial Theory and Literature, Birkbeck University of London
Award Date: 30 Sept 1995
Co-Investigator, AHRC Network Plus award (2021-2025)
29 Mar 2021 → 29 Mar 2025
Associate Editor, Journal of Memory, Mind & Media (Cambridge University Press)
1 Mar 2021 → …
Series Editor, Research/Practice (Sternberg Press)
29 Oct 2019 → …
Co-Investigator, AHRC Development Award (2019-2021)
1 Mar 2019 → 1 Mar 2021
Editor, Journal of Digital War (Palgrave Macmillan)
11 Jan 2019 → …
Editor, Third Text: Critical Perspectives on Contemporary Art and Culture (Routledge)
21 Mar 2012 → …
Research output: Contribution to journal › Article › peer-review
Research output: Contribution to journal › Article › peer-review
Research output: Contribution to journal › Article › peer-review
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review