Anthony Downey

Dr., Professor

Accepting PhD Students

PhD projects

Anthony is interested to hear from potential PhD students with interests that connect to his supervisory expertise and research in the following fields:

Contemporary Cultural Production from the Global Majority
Inclusion and Diversity in AI
Practice-Based Research and Digital Methodologies
AI Governance and Fairness
Generative AI and Creativity in the Arts
Human Rights, Bio-politics, and Migration in Contemporary Art Practices
Machine Learning, computer vision, and the futures of warfare

Willing to speak to media

20032026

Research activity per year

Personal profile

Research and Innovation interests

Dr Anthony Downey is Professor of Visual Culture, with a specific focus on the Middle East and Global South (Birmingham City University). Anthony's research and teaching focuses on visual culture and practice-based research; inclusive digital methodologies; fairness and governance in Artificial Intelligence (AI), computer vision and machine learning; human rights and international humanitarian law; and post-disciplinary models of knowledge production.

In his role as College Lead for Research, Excellence and Innovation, he supports colleagues in the development of their research capacity and outputs (specifically as it relates to AHRC funding application development and REF research outputs for early career and senior career researchers). 

In his capacity as BCU lead, he is the Cultural and Commissioning Lead on a four-year £2.2 million Arts Humanities Research Council (AHRC, 2021-2025) funded project, where his research focuses on the expansion of educational and cultural provision for people with disabilities in Lebanon, the occupied Palestinian territories, and Jordan. The latter award was preceded by an AHRC Development Award (2019-2021). 

Anthony's teaching focuses on the politics of global contemporary art practices; post- and anti-colonial theory; contemporary research practices and knowledge production in visual culture. Recent and forthcoming publications include Trevor Paglen: Adversarially Evolved Hallucinations (Sternberg Press/MIT Press, 2024); Neocolonial Visions: Algorithmic Violence and Unmanned Aerial Systems (PostScriptUM no. 47, 2023); Khalil Rabah: Falling Forward—Works 1995- 2025 (Sharjah Art Foundation and Hatje Cantz, 2023), and Shona Illingworth: Topologies of Air (Sternberg Press and The Power Plant, 2021). In 2025, he will publish Decolonizing Vision: Artificial Intelligence, Algorithmic Anxieties & the Future of Aerial Warfare (MIT Press, 2025).

 

Education/Academic qualification

Humanities, PhD, Postcolonial Theory and the Politics of Mimesis, Goldsmiths

Award Date: 18 Sept 2006

Humanities, Masters (Dist.), Postcolonial Literature and Theory, Goldsmiths

Award Date: 29 Sept 1997

Arts & Humanities, BA (First Class Honours), Postcolonial Theory and Literature, Birkbeck University of London

Award Date: 30 Sept 1995

External positions

Board Member, Cultural and Creative Industries Strategic Advisory Group (CCSAG), West Midlands Combined Authority (WMCA)

19 Oct 202519 Oct 2028

Co-Investigator, AHRC Network Plus award (2021-2025)

29 Mar 202129 Mar 2025

Associate Editor, Journal of Memory, Mind & Media (Cambridge University Press)

1 Mar 2021 → …

Series Editor, Research/Practice (Sternberg Press)

29 Oct 2019 → …

Co-Investigator, AHRC Development Award (2019-2021)

1 Mar 20191 Mar 2021

Editor, Journal of Digital War (Palgrave Macmillan)

11 Jan 2019 → …

Editor, Third Text: Critical Perspectives on Contemporary Art and Culture (Routledge)

21 Mar 2012 → …

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