Edmund Hunt was awarded for his exposition ‘Composition as Commentary: Voice and Poetry in Electroacoustic Music’ on researchcatalogue.net. His work builds on the rich and ongoing body of work on ambiguity of the voice in electroacoustic music, but through composition with untranslated, early medieval poetry and its ‘electroacoustic vocality’. Hunt’s exposition provides a clear context (across theory and practice) for the insights developed through his compositional work, as well as detailed exemplars and discussion of the works themselves.