1-2-3-4! Measuring the values of live music: methods, models and motivations

Arno van der Hoeven*, Adam Behr, Craig Hamilton, Martijn Mulder, Patrycja Rozbicka

*Corresponding author for this work

    Research output: Contribution to journalArticlepeer-review

    8 Citations (SciVal)
    Original languageEnglish
    Pages (from-to)147-166
    Number of pages20
    JournalArts and The Market
    Volume11
    Issue number2
    DOIs
    Publication statusPublished (VoR) - 26 Feb 2021

    Funding

    This work was supported as part of the project Staging Popular Music: Researching Sustainable Live Music Ecologies for Artists, Music Venues and Cities (POPLIVE) established by the Dutch Research Council (NWO) and the Taskforce for Applied Research (NRPO-SIA) [grant number 314-99-202, research programme Smart Culture - Arts and Culture]. Partners in this project are Mojo Concerts and the Association of Dutch Pop Music Venues and Festivals (VNPF). The work was also supported by the Creative Industries Policy and Evidence Centre (PEC), which is led by Nesta and funded by the Arts and Humanities Research Council UK. This work was supported as part of the project Staging Popular Music: Researching Sustainable Live Music Ecologies for Artists, Music Venues and Cities (POPLIVE) established by the Dutch Research Council (NWO) and the Taskforce for Applied Research (NRPO-SIA) [grant number 314-99-202, research programme Smart Culture - Arts and Culture]. Partners in this project are Mojo Concerts and the Association of Dutch Pop Music Venues and Festivals (VNPF). The work was also supported by the Creative Industries Policy and Evidence Centre (PEC), which is led by Nesta and funded by the Arts and Humanities Research Council UK.

    Keywords

    • live music
    • economic impact studies
    • cultural value

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