| Original language | English |
|---|---|
| Pages (from-to) | 147-166 |
| Number of pages | 20 |
| Journal | Arts and The Market |
| Volume | 11 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published (VoR) - 26 Feb 2021 |
Funding
This work was supported as part of the project Staging Popular Music: Researching Sustainable Live Music Ecologies for Artists, Music Venues and Cities (POPLIVE) established by the Dutch Research Council (NWO) and the Taskforce for Applied Research (NRPO-SIA) [grant number 314-99-202, research programme Smart Culture - Arts and Culture]. Partners in this project are Mojo Concerts and the Association of Dutch Pop Music Venues and Festivals (VNPF). The work was also supported by the Creative Industries Policy and Evidence Centre (PEC), which is led by Nesta and funded by the Arts and Humanities Research Council UK. This work was supported as part of the project Staging Popular Music: Researching Sustainable Live Music Ecologies for Artists, Music Venues and Cities (POPLIVE) established by the Dutch Research Council (NWO) and the Taskforce for Applied Research (NRPO-SIA) [grant number 314-99-202, research programme Smart Culture - Arts and Culture]. Partners in this project are Mojo Concerts and the Association of Dutch Pop Music Venues and Festivals (VNPF). The work was also supported by the Creative Industries Policy and Evidence Centre (PEC), which is led by Nesta and funded by the Arts and Humanities Research Council UK.
Keywords
- live music
- economic impact studies
- cultural value