@article{0d80c7b73031474a835f711f95efae0f,
title = "Birmingham and the (International) Business of Live Music in Times of COVID-19",
keywords = "Audience, Birmingham, Covid-19, Gig-goers, Grassroots venues, Live music industry, Mapping, Musicians, Venues",
author = "Adam Behr and Craig Hamilton and Patrycja Rozbicka",
note = "Funding Information: This article is based on activities and research conducted within “The UK Live Music Industry in a Post-2019 Era: A Globalised Local Perspective” project funded by the Creative Industries Policy and Evidence Centre (PEC),11 which is led by Nesta and funded by the Arts and Humanities Research Council. The research took place between February 2020 and January 2021. Publisher Copyright: {\textcopyright} Equinox Publishing Ltd 2022, Office 415, The Workstation, 15 Paternoster Row, Sheffield S1 2BX",
year = "2022",
doi = "10.1558/jwpm.23348",
language = "English",
volume = "9",
pages = "31--48",
journal = "Journal of World Popular Music",
issn = "2052-4900",
publisher = "Equinox Publishing",
number = "1-2",
}