Birmingham and the (International) Business of Live Music in Times of COVID-19

Adam Behr*, Craig Hamilton, Patrycja Rozbicka

*Corresponding author for this work

    Research output: Contribution to journalArticlepeer-review

    Original languageEnglish
    Pages (from-to)31-48
    Number of pages18
    JournalJournal of World Popular Music
    Volume9
    Issue number1-2
    DOIs
    Publication statusPublished (VoR) - 2022

    Funding

    This article is based on activities and research conducted within “The UK Live Music Industry in a Post-2019 Era: A Globalised Local Perspective” project funded by the Creative Industries Policy and Evidence Centre (PEC),11 which is led by Nesta and funded by the Arts and Humanities Research Council. The research took place between February 2020 and January 2021.

    Keywords

    • Audience
    • Birmingham
    • Covid-19
    • Gig-goers
    • Grassroots venues
    • Live music industry
    • Mapping
    • Musicians
    • Venues

    Fingerprint

    Dive into the research topics of 'Birmingham and the (International) Business of Live Music in Times of COVID-19'. Together they form a unique fingerprint.

    Cite this