Abstract
In this exposition, I present the curatorial methods I devised to create a hyperlocal compositional methodology used in the research project, for-Wards. for-Wards is a two-year citywide music programme involving a large-scale artistic partnership to co-create new music within and about forty Birmingham wards. The curated hyperlocal methodological framework I constructed was used to support the creation of hyperlocal musical works. I use the term ?hyperlocal? which is borrowed from the realm of citizen journalism. It infers community-produced news that is extremely localised. Hyperlocal is concerned with events and stories within a specific geographic community (Radcliffe 2012).
Original language | English |
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Publisher | Research Catalogue |
Publication status | Published (VoR) - 18 Dec 2020 |