Improvising through the senses: a performance approach with the indirect use of technology: a performance approach with the indirect use of technology

Tychonas Michailidis; James Dooley; Niccolo Granieri; Balandino Di Donato

doi:10.1080/14626268.2018.1511600

Improvising through the senses: a performance approach with the indirect use of technology: a performance approach with the indirect use of technology

Tychonas Michailidis, James Dooley, Niccolo Granieri, Balandino Di Donato

Research output: Contribution to journal › Article › peer-review

2 Citations (SciVal)

Original language	English
Pages (from-to)	149-164
Number of pages	16
Journal	Digital Creativity
Volume	29
Issue number	2-3
DOIs	https://doi.org/10.1080/14626268.2018.1511600
Publication status	Published (VoR) - 27 Aug 2018

Funding

We would like to thank the dancers that took part in the evaluation process, Hayley Barker and KJ Mortimer and the dancer Helen Calcutt and pianist Niccol? Granieri that took part in the case study. We also like to thank the reviewers for their valuable feedback and comments.

Keywords

Vibrotactile
audiovisual
dance
feedback loop
haptic
interactive systems

Access to Document

10.1080/14626268.2018.1511600

http://www.open-access.bcu.ac.uk/6253/

Cite this

@article{7d20085c69a64c72adcf502c4bedbf35,

title = "Improvising through the senses: a performance approach with the indirect use of technology: a performance approach with the indirect use of technology",

keywords = "Vibrotactile, audiovisual, dance, feedback loop, haptic, interactive systems",

author = "Tychonas Michailidis and James Dooley and Niccolo Granieri and \{Di Donato\}, Balandino",

note = "Funding Information: We would like to thank the dancers that took part in the evaluation process, Hayley Barker and KJ Mortimer and the dancer Helen Calcutt and pianist Niccol? Granieri that took part in the case study. We also like to thank the reviewers for their valuable feedback and comments. Publisher Copyright: {\textcopyright} 2018, {\textcopyright} 2018 Informa UK Limited, trading as Taylor \& Francis Group.",

year = "2018",

month = aug,

day = "27",

doi = "10.1080/14626268.2018.1511600",

language = "English",

volume = "29",

pages = "149--164",

journal = "Digital Creativity",

issn = "1744-3806",

publisher = "Taylor \& Francis",

number = "2-3",

}

TY - JOUR

T1 - Improvising through the senses: a performance approach with the indirect use of technology

T2 - a performance approach with the indirect use of technology

AU - Michailidis, Tychonas

AU - Dooley, James

AU - Granieri, Niccolo

AU - Di Donato, Balandino

N1 - Funding Information: We would like to thank the dancers that took part in the evaluation process, Hayley Barker and KJ Mortimer and the dancer Helen Calcutt and pianist Niccol? Granieri that took part in the case study. We also like to thank the reviewers for their valuable feedback and comments. Publisher Copyright: © 2018, © 2018 Informa UK Limited, trading as Taylor & Francis Group.

PY - 2018/8/27

Y1 - 2018/8/27

KW - Vibrotactile

KW - audiovisual

KW - dance

KW - feedback loop

KW - haptic

KW - interactive systems

UR - https://www.scopus.com/pages/publications/85053070506

UR - https://www.scopus.com/inward/citedby.url?scp=85053070506&partnerID=8YFLogxK

U2 - 10.1080/14626268.2018.1511600

DO - 10.1080/14626268.2018.1511600

M3 - Article

SN - 1744-3806

VL - 29

SP - 149

EP - 164

JO - Digital Creativity

JF - Digital Creativity

IS - 2-3

ER -

Improvising through the senses: a performance approach with the indirect use of technology: a performance approach with the indirect use of technology

Funding

Keywords

Access to Document

Other files and links

Fingerprint

Cite this