‘Out of Time: pedagogy, temporality and the affective encounter. Film and moving image practice in Art Education'

    Research output: Contribution to conferencePaperpeer-review

    Abstract

    This article explores how lens-based practices can articulate and respond to art education
    phenomena. The affective turn in education and appearances of education in artists’ film and
    moving-image are explored to help identify different appearances and experiences of art
    education pedagogy. Interspersed by clip descriptions from students and my affective
    descriptions of watching Etre et avoir by Nicolas Philibert, and writing about a ^ film made
    for the Freelands Foundation SHIFT series, I examine how using moving-image practice to
    make a collaborative film in a college of further education in the West Midlands, England
    can dislocate art education pedagogy from Saul’s parcelled and segmented time towards
    affective encounters and out-of-time, temporal experiences. Deleuze’s time-image film
    theory is explored to position pedagogy as a distinct, affective and temporal phenomena in
    Art Education and is used to compare the experience of both the making of and watching a
    film in an education context.
    Original languageEnglish
    Number of pages16
    Publication statusPublished (VoR) - 1 Nov 2024
    EventInternational Journal of Art and Design Education conference: Belonging: Dialogues for a culturally responsive art and design curriculum - online
    Duration: 24 Nov 202225 Nov 2022

    Conference

    ConferenceInternational Journal of Art and Design Education conference
    Period24/11/2225/11/22

    Keywords

    • Affective Turn in Education
    • Embodied Pedagogies
    • Collaborative
    • Film
    • Moving Image
    • Practice-Based Research
    • Temporality
    • Pedagogy

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