Poems of Love and War

Howard Skempton

    Research output: Other contribution

    Abstract

    ?Poems of love and War? is a sequence of settings of nine poems from ?Viking Poetry of Love and War? by Judith Jesch. The war poems come first and are formal and celebratory, making vivid use of figures of speech known as ?kennings?. The love poems are more direct, and sometimes playful. The aim was to compose choral music that was fresh and timeless. With that in mind, there is formality in the rhythmic character of the settings. A tried-and-tested technique, giving longer value to strong syllables and shorter values to weak, seemed appropriate. The language is diatonic, and many of the tunes were composed on a 20-button concertina to ensure this. The harmony is modal. The music is not chromatic on the face of it, and yet it is inherently chromatic. The poems cry out for colour, and the intention was always somehow to reveal it. There is a change of texture in the sixth and seventh settings: ?All the grown girls? is a canon for female voices, and ?In Gymir?s gardens? is for tenors and basses in rhythmic unison. Tender, lyrical melody is at a premium in the eight setting, ?It?s a fact, wise woman?, and in the ninth, ?Praise the day at evening?, where the upper voices sing a tune in thirds and sixths, the tenors and basses humming a pedal note.
    Original languageEnglish
    PublisherOxford University Press
    Publication statusPublished (VoR) - 6 May 2020

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