Rediscovering the Cheapside Hoard through digital visualization

Ann-Marie Carey (Corresponding / Lead Author), Keith Adcock (Corresponding / Lead Author), Hazel Forsyth (Guest editor)

    Research output: Contribution to journalArticlepeer-review

    Abstract

    ‘The Cheapside Hoard’ is the greatest cache of Elizabethan and Jacobean jewellery in the world and one of the most remarkable and spectacular finds every recovered from British soil. It is an intriguing time capsule of over 500 precious artefacts, untouched and of its age, that provides a rare and inspiring window into our craft heritage.
    This phenomenal resource of early modern goldsmithing embodies the cultural and technological advances of the time. Can we sensitively apply our current digital technology to act as a conduit in bridging 400 years of history to better understand the goldsmithing skills and technology of Elizabethan times? Through this investigation a range of data collection methods were deployed: craftsmanship observation, laser-scanning, digital camera, microscope and CAD. Governed by the perspective of craftsmanship analysis, the raw data was combined and interpreted to generate data montages; creating enhanced, comprehensive, and easily communicated three dimensional visual narratives. Thus presenting scenarios to the reoccurring questions of– how were these artefacts made? What skills and tools did these craftsmen have? How were raw materials from all over the world turned into the artefacts of the hoard?
    Original languageEnglish
    Pages (from-to)113-132
    Number of pages19
    JournalThe Santa Fe Symposium On Jewellery Manufacturing Technology
    Volume27
    Publication statusPublished (VoR) - 30 May 2013

    Keywords

    • Craft skills
    • 3D CAD
    • Cheapside Hoard

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