Abstract
David Hare, writing in his introduction to Bernard Shaw’s Heartbreak House (1920) at the turn of the millennium, discusses the consequences of public underfunding on the repertoire of plays presented at regional playhouses.
| Original language | English |
|---|---|
| Title of host publication | The Edinburgh Companion to Modernism in Contemporary Theatre |
| Chapter | 23 |
| Pages | 304-318 |
| Number of pages | 14 |
| ISBN (Electronic) | 9781474495059 |
| Publication status | Published (VoR) - 1 Jun 2023 |