Abstract
European and US film festivals have played a pivotal role in the global circulation of South Asian films. But their contribution has also been marked by questionable priorities: the near-exclusive promotion of Indian films or of films that speak to European and North American cinemas? aesthetic affinities. With the new millennium, festivals began to embark on film production. Streaming companies have since emerged and gained ground as both distributors and producers. How have these changes impacted on South Asian filmmakers?women filmmakers in particular?and the visibility of their work?
Original language | English |
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Journal | NO NIIN |
Issue number | 16 |
Publication status | Published (VoR) - 30 May 2023 |