Stand-Up Comedy and Gender

Ellie Tomsett, Rosie White

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    Abstract

    This chapter considers how gender as a social framework has shaped and informed stand-up comedy, with a particular focus on the UK. Gender identities entail certain cultural expectations, especially when these identities interact with race, class, and sexuality. The chapter explores how gender impacts on all stand-up performers, addressing the unavoidable nature of gender stereotypes as well as historical and contemporary debates about feminism, femininity, and the role of women within the comedy industry. In addition to considering how gender is represented in stand-up material, the chapter examines how wider power structures influence the business of comedy, specifically problems faced by women stand-ups in terms of their access to comedy venues and their treatment by audiences. This chapter tracks the evolution of comedy’s relationship to gender from music hall to working men’s clubs through to the ‘alternative’ comedy boom of the 1980s and stand-up on television.
    Original languageEnglish
    Title of host publicationCambridge Companion to Stand-Up Comedy
    EditorsOliver Double
    PublisherCambridge University Press
    Chapter5
    Pages107-123
    Number of pages16
    Edition1
    ISBN (Electronic) 9781009000635
    DOIs
    Publication statusPublished (VoR) - 21 Aug 2025

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