Abstract
In 1983 Brofsky proposed that a series of three recordings of ?My Funny Valentine? by Miles Davis could be understood as representing a type of performative composition process. In this article, I account for a further seven recordings and question the analytical and conceptual basis of Brofsky?s thesis.
| Original language | English |
|---|---|
| Pages (from-to) | 65-81 |
| Number of pages | 17 |
| Journal | Jazz-hitz |
| Volume | 2 |
| Issue number | 2 |
| Publication status | Published (VoR) - 20 Sept 2019 |
Keywords
- Jazz
- jazz composition
- improvised solos
- creative process
- Miles Davis
- My Funny Valentine
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