@article{8cdf92bd416a45b0b70bf6befd0e1c1d,
title = "The Birth of Porto{\textquoteright}s Jazz Scene: Culture, Spaces, and Networks",
keywords = "culture, jazz, networks, Porto, Portugal, spaces",
author = "Pedro Cravinho",
note = "Funding Information: This article has also tried to rectify any misconceptions about the absence of jazz in Porto{\textquoteright}s urban center before April 1974, and about the supposed rivalry between the Lisbon and Porto scenes. On the contrary, during the period investigated, members of both scenes collaborated closely – not just the promoters but also the musicians, as evidenced by the fact that the 1960 Hot Club of Portugal Quartet debut was in Porto and that Luis Villas-Boas was present in Porto during its first “Week of Jazz.” Publications are available on the subject of the Lisbon jazz scene and its promoters, covering Villas-Boas and the Hot Clube de Portugal, and there are also those on the significant International Cascais Jazz Festivals. There are two research projects funded by the Portuguese Foundation for Science and Technology dedicated to the key Lisbon jazz promoters. However, such attention has been denied to the Porto jazz scene; there is still a lack of research on its development throughout the Estado Novo regime up to April 1974, and its promoters. Brito Guimar{\~a}es was undoubtedly a central figure in the development of jazz locally. Publisher Copyright: {\textcopyright} 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.",
year = "2022",
month = sep,
day = "26",
doi = "10.1080/03007766.2022.2123482",
language = "English",
journal = "Popular Music and Society",
issn = "0300-7766",
publisher = "Taylor and Francis Group",
}