Abstract
This chapter seeks to review and redress existing interpretations of British filmmaker Michael Winner, arguing that his 1970s outputs demonstrate subversive components unrecognized in existing accounts.
| Original language | English |
|---|---|
| Title of host publication | Shocking Cinema of the Seventies |
| Editors | Xavier Mendik |
| Place of Publication | Hereford |
| Publisher | Noir Publishing |
| Chapter | 4 |
| Pages | 58-74 |
| Number of pages | 16 |
| ISBN (Print) | 0 9536564 4 6 |
| Publication status | Published (VoR) - 1 Mar 2002 |
Keywords
- cult film
- film theory